dance, dance otherwise we are lost

Blown away by this film.

tiff.net:

Using 3D to spectacular effect (interesting that two of the best films made using this technique have been documentaries: Werner Herzog’s Cave of Forgotten Dreams and Pina), Wenders opens up the dances, employing the streets and parks of Wuppertal — where Bausch’s company, Tanztheater Wuppertal, is based — as exciting backdrops to some of her best-known productions. Her version of Stravinsky’s The Rite of Spring is justly famous; dancers leave traces of their movements in earth. Equally fine is “Café Mueller,” where, in a dreamlike trance, dancers move with eyes closed to Purcell-scored music. Pedro Almodóvar used a section of this piece in Talk to Her. For the equally imaginative “Vollmond,” set designer Peter Pabst provided an onstage waterfall through which the performers dance. “Kontakthof” allows Wenders his own directorial moment: he shoots this piece in three versions, each time using dancers of a different age.

Wenders is considering a 3D documentary on architecture.

365 grateful project (count=46)

2011 ended on an unexpected note. My paternal grandfather was diagnosed with Alzheimer’s. My extended family all agreed that it would be best for him to stay at a place specially designed for people with Alzheimer’s. One week after he left home, he passed away.

To be honest, I cannot remember what we talked about the last time I talked to him. But I am grateful for all the memories of my childhood; I used to follow him around fishing and reciting Chinese poems.

    I’m also grateful for:

  • having an always supportive mum (even though her new year’s wish is for me to be more normal)
  • having an always supportive dad (even though he yelled at me for not pointing out a highway exit in Los Angeles)
  • having someone who always calls when he said he would (e.g. 11:45 on new year’s eve)